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In collaboration with the RGT, five books featuring a compilation of studies for the intermediate guitarist.
Blues & Rock Chord Playing Lead Playing Playing Technique Rock & Metal

This page contains a series of lessons and ideas that I hope you may find useful.

  • Music Theory: A crash course in music theory for guitarists.

    Music theory.pdf (156KB) Answers.pdf(58kB)

  • Minor Pentatonic Studies: A series of exercises and phrases in the Minor Penatonic.

    Pentatonics.pdf (509KB) Audio files(1,958KB)

  • Major Pentatonic Studies: A series of exercises and phrases in the Major Penatonic.

    Major pentatonic.pdf (323KB) Audio files(1.958MB)

  • Blues Scale Studies: A series of exercises and phrases in the Blues Scale.

    Blues.pdf (483KB) Audio files(1.92MB)

  • Sweep Picking Studies: A series of exercises demonstrating sweep picking techniques.

    Sweep Picking.pdf_(96KB) Audio files(333KB)

  • Jazz Guitar Part 1: II-V-I studies: Develop skills playing over II-V-I chord progressions.

    Jazz-II-V-I.pdf_(2.065MB) II-V-I Midi Files(7.52KB)

  • Jazz Guitar Part 2: Minor II-V-I studies: Develop skills playing over Minor II-V-I chord progressions .

    Jazz-Minor_II-V-I.pdf_(1.5MB)

  • Jazz Guitar Part 3: Essential Altered Scales: How to deal with altered dominant chords.

    Essential Altered Scales.pdf_(805kB)

  • Reading Rhythm Exercises: Develop skills reading rhythms .

    Page 1

  • Bluesy A7th lick:The blues is a wonderful thing. Here is a nice little lick
    to keep all our blues friends happy. It starts on an G# and ends on an A and has nothing
    weird in it. It's a little bit jazzy and should work in any kind of A shuffle, bluesy,
    turnaround situation that you may find yourself in. It's kind of blues scale, and kind
    of Mixolydian (or A7th to the uninitiated).
  • Country lick:This lick is a little country thing that uses open strings to
    create a ringy almost pedal steel type of sound. It means you have to jump strings to
    catch the open notes which takes a little practice. It's in the key of D but starts with
    a run on A7th which resolves to D. This is a very common technique used by country players
    to create that Nashville kind of sound.
    lesson_2 (16K)












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